Archive for the ‘Creativity’ Category

Lecturing Your Thoughts

Monday, November 15th, 2010

When it came to writing, I used to have major issues with expanding my notes into a readable work other people could enjoy. Like many people, I’d come up with brilliant ideas away from the computer, so I’d have to jot down everything that came to me in order to use it later. I’m great at sketching out ideas and thoughts, so that was never a problem. However, when I’d get home, trouble would arise. I’d look at my notes before I’d begin to type… and the divinely inspired, sketched out idea I had just three hours ago no longer felt like a gift from God himself.

Where’d all that inspiration go? It was like it seeped through the page I was note taking on. You know… “poof!” All gone!

Then I realized something that blessed my writing life. Whenever I’d be sketching out my ideas, I’d always pretend to be speaking to an audience. When I’d take notes on time management, in reality I’d be “lecturing” about time management to an imaginary crowd. This wasn’t too weird to me; I love extemporaneous speaking and spur of the moment improvising. Speaking seemed to be a natural way to organize my thoughts. The problem always began when I got to the computer. Now that I was no longer “speaking” to a crowd, I’d have to type out what I thought I said. The structure that seemed so spontaneous and witty at the time now felt contrived and forced. What to do?

Eventually, I came upon the answer. And it was ridiculously simple – do as much speaking about the topic immediately before writing as possible.

No, I don’t record myself speaking and try to transcribe my mumbles. (I’d be here all day!) I simply verbalize my next few paragraphs as if I’m addressing a question from a crowd of people, and then I sit at my computer and type out my thoughts.

When you’re explaining a topic to somebody else, you’re forced to automatically arrange your thoughts in a somewhat logical way (unless you’re randomly verbalizing your thoughts.) If you’re explaining an exact process to somebody, where D is the end goal, you’re going to have to talk about A, B, and C first, in that order. You could try to work backwards, from D to C to B to A, or in a different order, but that could cause some confusion. You want your explanations to be as coherent as possible.

When I try to write without speaking through my thoughts first, I tend to not be entirely clear on which direction I want to take my writing in. When you’re writing up a blog post or typing in a word processor, it’s very easy to write a sentence or two and then stop because you’re thinking of the perfect way to structure your next sentence. Or perhaps you stopped because you want to decide where to take your thoughts from there. Unfortunately, because of the thousands of ways you could do each of those things, analysis paralysis becomes a full blown issue – especially for me, and for those of you out there who feels like each word you write has to be the absolute perfect word for that sentence.

Also, when I’m pretending I’m talking to somebody who’s genuinely interested in what I have to say, it feels like my words are a bridge to a true connection. The writing becomes clearer and more interesting because I feel as if I’m writing to you – the reader – personally. I’m writing for a human being, somebody who’s going to be reading this post and applying the wisdom in it to achieve fantastic results. These kinds of feelings are very hard to achieve when I write using an outline or my expansive note collection. An outline might work well when writing a research paper. It’s not so useful when writing for an individual person.

It’s also worth mentioning that sometimes you’ll get an amazing idea away from the computer, but still want explore and elaborate on. In these cases, take as many notes as you want, but once you get home lecture about the notes you took. Use your notes to guide you, but only as a outline. Then write down your spoken thoughts accordingly.

If you’re having trouble editing your written works, try speaking what you’ve written out loud. If it sounds odd when you hear it, chances are your readers are going to find it bizarre as well. (As a side note, edits should make your piece sound like a conversation between you and the reader. If any part of your work sounds mechanical and clunky, try rewriting it as if you were chatting with your best friend.)

Who would have ever known that your five year old self’s imaginary friend was going to come back one day to help you out? ;)